
Hello and welcome back to Mortgage Advisor on FIRE. Something a little different this week, with no weekly update (it got late and I was tired), but plenty of thoughts on other bits and pieces…
“Ah, arrogance and stupidity all in the same package. How efficient of you.”
There is a line from Babylon 5 that has always stuck with me. The character Londo Mollari, an ambassador to Earth from an alien civilization, is meeting with Earth military officers. They are asking him about a race they want to make contact with, and he’s telling them to be careful as this new race, the Minbari, are dangerous. In typical fashion the Earth officers are arrogant and stupid, hence Londo’s rebuke; “Ah, arrogance and stupidity all in the same package. How efficient of you.”

It’s difficult not to think of that line when looking at figures like Donald Trump. There is a strange political phenomenon where confidence and bluntness can be mistaken for strength, and recklessness can be mistaken for decisiveness. In a world where politics often feels paralysed by committees, diplomacy, and hesitation, a leader who simply does things, even destructive things, can appear efficient. Donald Trump, alongside his numerous other character flaws, embodies arrogance and stupidity. How efficient of him.
Efficiency without wisdom is not leadership. It’s just acceleration in the wrong direction, and that brings us to the tragedy of modern warfare. Bombing campaigns are often presented in sterile language. Military briefings talk about targets, operations, and strategic objectives. On television maps, explosions appear as small flashes of light accompanied by arrows and acronyms. It all feels abstract, almost mechanical. But every bomb that falls lands in the middle of a human network.
Every person killed is someone’s friend. Someone’s colleague. Someone’s brother, sister, parent, or child. They are part of a family, a neighbourhood, a community. When that person dies, the grief and anger do not disappear with them. They ripple outward.
For every person killed in a bombing campaign, there are often many more people whose lives are permanently altered by that death, like a grieving father or a traumatised child. A community that now sees the attacker not as a distant geopolitical actor but as the force that destroyed someone they loved.
This is the brutal arithmetic of insurgency and asymmetric warfare. Bombing rarely destroys an ideology. What it often does instead is manufacture martyrs.
History has shown repeatedly that military force alone struggles to defeat movements built on identity, belief, and grievance. When bombs kill civilians, even unintentionally, the narrative writes itself. The dead become symbols. Their stories circulate through families, social media, and communities. Each new death reinforces the belief that the attackers are enemies not just of combatants, but of the people themselves.
The result is a self-perpetuating cycle. Violence creates anger. Anger fuels recruitment. Recruitment prolongs the conflict. More violence follows.
Meanwhile the political leaders who authorised the bombing stand at podiums promising that this time the strategy will work.
The uncomfortable truth is that we have seen this pattern before. Vietnam. Iraq. Afghanistan.
Each conflict was entered with confidence and the belief that overwhelming military power could impose a stable outcome. Each produced years, sometimes decades, of instability, resentment, and human suffering.
Which leads to a darkly amusing observation I came across recently. Wars are usually named after the country being attacked. The Vietnam War. The Iraq War. The Afghanistan War. The naming convention subtly frames the narrative around geography rather than responsibility.
If wars were named after the nation doing the attacking instead, the historical record might look very different. In fact, there might be so many “American wars” that we would have more of them than there are films in the Fast & Furious franchise. The joke lands because there is an uncomfortable truth hiding inside it.
Powerful countries possess enormous military capability, and the temptation to use it is always present. Airstrikes and missile campaigns offer the illusion of control. They appear decisive. They create dramatic footage. They allow leaders to claim action.
Destruction is easy. Stability is hard. Ordering airstrikes from your office is easy. Diplomacy is hard.
Bombs can flatten buildings in seconds. They cannot rebuild trust, legitimacy, or political order. Those things require patience, diplomacy, compromise, and sometimes the humility to recognise that force alone cannot solve every problem.
Arrogance, on the other hand, often pushes leaders toward the opposite conclusion.
It tells them that if a strategy hasn’t worked yet, the answer must simply be more of it. More bombing. More escalation. More demonstrations of strength.
Which brings us back to Londo Mollari’s observation about arrogance and stupidity being such a potent combination. Arrogance provides the momentum. Stupidity provides the direction. Unfortunately, history suggests that when those two forces combine in geopolitics, the people who pay the highest price are rarely the ones making the decisions.
The Greatest Science Fiction Shows
I’ve noticed a few posts recently listing sci-fi shows and movies with titles like “best ever” and “greatest of all time”. I thought I’d enter the chat and list my top ten sci-fi shows of all time, starting at number ten and working my way to the best one of all over the next ten weeks. So far, I’ve covered:
10 – The Outer Limits
Now, we have number nine on the list…
The X-Files (1993–2018)
Some shows follow a genre. Others create their own genre. Few television series captured the imagination of the 1990s quite like The X-Files. Created by Chris Carter, the show blended science fiction, horror, conspiracy thriller, and procedural drama into something that felt entirely unique at the time. At its centre were two FBI agents assigned to investigate cases that defied conventional explanation: Fox Mulder, a believer in the paranormal, and Dana Scully, a medical doctor and sceptic who approached every case with scientific rigour.
The show’s premise was simple. Across the United States, strange events were occurring like possible alien encounters, unexplained creatures, government cover-ups, and phenomena that did not fit within the normal rules of reality. Mulder believed that somewhere within these cases lay evidence of a vast hidden truth about extraterrestrial life and government secrecy. Scully’s role was initially to debunk Mulder’s theories, but over time she too encountered events that could not easily be dismissed.
What made The X-Files particularly compelling was the way it balanced two distinct storytelling modes: the overarching conspiracy mythology and the so-called “monster of the week” episodes.
The Conspiracy Mythology
Running throughout the series was a complex narrative involving alien colonisation and a shadowy government conspiracy. Mulder’s lifelong obsession with extraterrestrials stemmed from the disappearance of his sister during childhood, an event he believed was linked to alien abduction. His search for the truth leads him into conflict with powerful forces determined to keep that truth hidden.
Central to the mythology is the mysterious Smoking Man, a government operative who appears repeatedly throughout the series. Often seen silently observing events while smoking a cigarette, he embodies the idea of a hidden authority manipulating events behind the scenes. Alongside him are secret organisations working with alien forces in preparation for a future colonisation of Earth.
Over time, Mulder and Scully uncover fragments of a terrifying possibility: that elements within the government have struck a bargain with extraterrestrials. In exchange for technological advantages and survival privileges, they may be assisting in a long-term plan for alien control of the planet.
The mythology arc grew increasingly complex as the seasons progressed, weaving together alien viruses, hybrid experiments, secret projects, and hidden factions within government and industry. At its best, this storyline captured the paranoid mood of the post–Cold War era, when distrust of institutions and fascination with conspiracy theories were both on the rise.
However, for many viewers, myself included, the mythology eventually became too convoluted, particularly in later seasons when the show struggled to provide clear answers to the mysteries it had built over the years. In a way it set the scene for Lost, in that the mystery was more interesting than the answers.
Monster of the Week
If the overarching conspiracy gave The X-Files its grand narrative, the monster-of-the-week episodes gave it its creativity and variety. These standalone stories allowed the writers to experiment with different forms of horror, science fiction, and dark humour without being tied to the central plot.
Some of the most memorable episodes in the series fall into this category. I can’t recall many specific episodes that focused on the grand conspiracy, but I can vividly remember some of the MOTW episodes.
One of the most famous is “Squeeze.” The episode introduces Eugene Victor Tooms, a mutant capable of stretching his body through impossibly small spaces in order to kill his victims and harvest their livers. Tooms hibernates for years between killing sprees, making him one of the series’ most unsettling villains. The character proved so memorable that he returned in a later episode.
Another standout is “Ice,” an early episode clearly inspired by John Carpenter’s The Thing. Set in an isolated Arctic research station, the story follows Mulder and Scully investigating a parasite that causes violent paranoia among those infected. The claustrophobic setting and growing mistrust between characters make it one of the show’s most tense episodes.
The show was also capable of moments of unexpected humour. “Bad Blood,” written by Vince Gilligan, retells the same vampire investigation from the conflicting perspectives of Mulder and Scully, highlighting how each sees the other in wildly exaggerated ways. The result is one of the funniest episodes in the series.
One of the episodes that has stuck in my mind was also written by Vince Gilligan, and stars Bryan Cranston. I’m talking about “Drive”, where Cranston’s character has to keep driving west or else his head will explode. It sounds absurd but was a very strong episode, and Cranston credits this episode as a major factor in Gilligan casting him as Walter White in Breaking Bad years later.
Then there is “Home,” perhaps the most infamous episode of the entire series. So disturbing that it was originally banned from repeat broadcast on network television, the episode tells the story of a grotesque family living in rural isolation whose secrets are far darker than the agents could have imagined. Even decades later, it remains one of the most unsettling hours of television ever aired on mainstream television.
These standalone stories gave the show enormous flexibility. One week the agents might be dealing with alien conspiracies, the next they could be investigating psychic killers, genetic experiments, or creatures hiding in the forests of the American Midwest.
The Legacy of the Show
Part of what made The X-Files so influential was its atmosphere. The show’s distinctive visual style, dim lighting, shadowy forests, rain-soaked streets, and flickering flashlights, created a sense that the world was full of hidden mysteries lurking just beyond the edge of normal perception.
It also helped establish the template for a type of television storytelling that would become increasingly common: a blend of episodic cases and long-running narrative arcs. Shows like Fringe, Supernatural, and many others owe a clear debt to the structure pioneered by The X-Files.
Above all, the show succeeded because of the chemistry between its two leads. Mulder’s relentless belief and Scully’s grounded scepticism created a dynamic that allowed the series to explore strange ideas while maintaining a sense of balance. Their partnership became one of the most iconic relationships in science fiction television.
Even after its original run ended in the early 2000s, The X-Files remains one of the defining science-fiction series of its era. It tapped into a cultural moment when the idea that “the truth is out there” felt both exciting and unsettling.
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What I’m Doing
Listening: Empire: Chess Team Book 8 by Jeremy Robinson and Sean Ellis.
Watching: The Tourist (BBC iPlayer), Firebreak (Netflix).
Reading: Project Hail Mary by Andy Weir
We finished the second season of The Tourist on iPlayer. It was decent enough, but not anywhere near the quality of the first season. We were thinking about another watch of Deep Space Nine, but it has been removed from Netflix. It’s a show we may end up buying on DVD as we’ll definitely watch it again several times. It’s my favourite Star Trek show, and I even converted Oana to it.
On Saturday evening we watched Firebreak, a Spanish movie, on Netflix. Very early on I’d already mentally checked out. One of my pet hates in any story is when a stupid child acting like a stupid child is the catalyst for the plot. It’s lazy and the sort of thing a stupid child would come up with. I wasn’t impressed.
Financial Update
Assets
Premium Bonds: £3,000.00.
Stocks and Shares ISA: £127,440.52.
Fuck It Fund: £5,114.83.
Pensions: £113,537.85.
Residential Property Value: £243,430.00.
Total Assets: £492,523.20.
Debts
Residential Mortgage: £174,369.33.
Total Debts: £174,369.33.
Total Wealth: £318,153.87.
Perfection Is the Enemy of Progress
One of the phrases I hear most often when speaking with potential mortgage clients is some variation of “we’re just getting our ducks in a row first.” It’s usually delivered in a reassuring tone, as if the person is demonstrating responsibility and prudence. On the surface, it sounds entirely reasonable. Buying a home or arranging a mortgage is one of the largest financial decisions most people will ever make. Taking time to think things through, to prepare documents, and to ensure the numbers make sense is sensible behaviour.
But there is a point where preparation quietly turns into procrastination.
Many people become stuck in a state psychologists refer to as analysis paralysis. Instead of taking the next step, they remain suspended in a cycle of research, planning, forecasting, and waiting for conditions to align. They read articles about interest rates, check mortgage comparison sites, follow economic commentary, and run affordability calculators over and over again. All of this activity feels productive, but nothing actually moves forward. Months pass while they continue to wait for the moment when everything looks perfectly aligned.
The problem is that the perfect moment never arrives.
When it comes to mortgages, people often behave as though there must be an optimal point in time when the stars align. Interest rates will have dipped to exactly the right level. Their savings will have grown just a little bit more. The economy will look stable. The housing market will appear predictable. Their employment will feel completely secure. Once those conditions exist simultaneously, they tell themselves, that will be the moment to proceed.
But the real world doesn’t operate like that.
There will always be another reason to delay. Interest rates may fall slightly, but then inflation data appears that makes economists nervous. The housing market may look steady, but then geopolitical events rattle financial markets. Your savings might improve, but suddenly the car needs replacing or the boiler breaks. Life and economics have an annoying habit of constantly introducing new variables. Waiting for a moment of perfect clarity is a bit like waiting for the sea to become completely calm before leaving harbour. If that’s the standard you set, you may spend your entire life tied to the dock.
Interest rates are perhaps the biggest trigger for this kind of paralysis. Understandably, borrowers want the lowest possible rate. A difference of even half a percent can look significant when spread across a mortgage balance over many years. The temptation is therefore to treat mortgage timing like a strategic exercise in economic prediction. People begin trying to second-guess what central banks will do next, when lenders might cut their pricing, or whether another few months might reveal a better deal.
The uncomfortable truth is that nobody really knows.
Interest rates move in response to a vast web of global factors. Inflation figures, economic growth data, political decisions, international conflict, energy prices, financial crises, and unexpected shocks can all influence where rates go next. Even professional economists who dedicate their careers to forecasting these movements regularly get it wrong. If predicting rate movements were straightforward, global financial markets would be a much calmer and more predictable place.
History offers plenty of reminders of how unpredictable the world can be. Few people in late 2019 were planning their mortgage strategy around the possibility of a global pandemic. Yet within a matter of months COVID had upended economies across the planet, sent interest rates plunging, and rewritten financial assumptions overnight. More recently, geopolitical tensions and inflation shocks have pushed rates in the opposite direction far faster than many analysts expected.
Trying to perfectly time mortgage rates therefore resembles trying to perfectly time the stock market. In theory it sounds like a rational strategy. In practice it relies on predicting events that are fundamentally unknowable.
Ironically, the people who become most paralysed by these uncertainties are often the ones trying hardest to be financially responsible. They want to make the right decision, avoid unnecessary costs, and ensure they are acting at the best possible moment. But in chasing perfection, they sometimes create the very risk they are trying to avoid.
Doing nothing is still a decision.
When someone delays securing a mortgage rate because they believe something better might appear, they are effectively making a bet on the future. They are betting that the environment will become more favourable rather than less. Sometimes that bet pays off. Sometimes it doesn’t. But it is still a gamble, even if it feels safer than taking action.
What many borrowers don’t realise is that taking action does not necessarily mean locking themselves into a rigid outcome. In many situations, securing a mortgage product early provides a degree of protection without eliminating flexibility. If rates improve before completion, there is often the ability to switch to a better product with the same lender. Taking a step forward therefore doesn’t always close the door on future improvements. What it does do is protect against the possibility that conditions deteriorate while someone is waiting.
Another variation of analysis paralysis appears when people insist on getting every aspect of their finances perfectly organised before even speaking to a broker. They want to tidy their credit report, rearrange their savings, pay off small balances, research lenders, and explore countless online tools before picking up the phone. The intention is understandable, but it can lead to months of unnecessary delay.
In reality, that initial conversation is often the most useful place to start. An experienced adviser can quickly identify what genuinely matters and what doesn’t. Some of the things people worry about turn out to be irrelevant. Other factors they have overlooked may be far more important. Without guidance, it is easy to spend weeks optimising details that have little impact while missing the changes that could genuinely improve their position.
All of this brings us back to an old idea that applies just as much to finance as it does to many areas of life: perfection is the enemy of progress.
When people aim for perfect timing, perfect conditions, and perfect certainty, they often end up stuck in place. Meanwhile, those who make sensible decisions with the information available to them tend to move forward. They secure the mortgage. They buy the property. They get on with building their lives.
And years later, the precise interest rate they secured on one particular mortgage deal often turns out to matter far less than they once believed. What mattered more was simply moving forward rather than remaining trapped in endless preparation.
Sometimes the most powerful step isn’t the perfect one.
It’s simply the first one.
DISCLAIMER
The views and opinions in this blog are my own, and do not represent the views or opinions of my former, current, or future employers, nor should they be considered advice.
If you want personalised financial advice, seek an appropriate professional. If you are in financial difficulty, seek advice via the resources below:
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